Best known for her controversial 2005 postmortem portrait series THE TRAVELERS, which The New York Times called "a peek... at the vibrant, living face beneath the mask of death," the former architectural photographer Elizabeth Heyert resumes her role as observer and voyeur in this fascinating third volume, THE NARCISSISTS. Inspired by the myth of Narcissus, and as a challenge to the Avedon idea that a photograph is about a relationship between two people, Heyert takes us through the looking glass, capturing her subjects unaware through a one-way mirror in a series of 15-minute photo-sessions.